Ο Νίκος Ορδουλίδης είναι μουσικολόγος και μουσικός, Επιστημονικός Συνεργάτης του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Ιωαννίνων και διδάκτορας του Πανεπιστημίου του Leeds της Αγγλίας. Τα ερευνητικά του ενδιαφέρονται αφορούν τον συγκρητισμό στη μουσική, σε μια ευρεία γεωγραφική περιοχή: Ανατολική Ευρώπη, Βαλκάνια, Μεσόγειος, Μέση Ανατολή και Βόρειος Αφρική. Έχει δημοσιεύσει επιστημονικά κείμενα που αφορούν τις μουσικές ιδεολογίες, την ιστορική δισκογραφία, την πνευματική ιδιοκτησία, τις λαϊκές μουσικές στην εκπαίδευση, την εκκλησιαστική μουσική της Ανατολικής Ορθόδοξης Εκκλησίας. Είναι μέλος σε διεθνείς επιστημονικές φορείς και έχει συμμετάσχει ως εισηγητής σε επιστημονικά συνέδρια στην Ελλάδα και στο εξωτερικό. Είναι ενεργός συνθέτης, ενορχηστρωτής και πιανίστας με έξι δίσκους σε κυκλοφορία, και συναυλίες στην Ευρώπη και την Ασία. 

Monographs, Articles and Conference Proceedings (peer reviewed)

• Ordoulidis, N. (2023). Interwar Discography and the Shared Music of the Balkans. Balkanologie. Revue d'études pluridisciplinaires, June [pending publication].
• Ordoulidis, N. (2023). Synthesizers in Eastward Rock and Pop of the 1970s–80s. Création musicale et électrification sonore en Méditerranée, XXe-XXIe siècle, CEDEJ, Revue Egypte Soudan Mondes Arabes (ESMA) [pending publication].
• Ordoulidis, N. (2023). The Piano in Greek Popular Orchestras of the Early 20th Century. An Overview of the Material. In Popular Music of the Greek World. British School at Athens [in print].
• Ordoulidis, N. (2022). The “ecumene” of the Greek estudiantinas. In M. Polatel, & N. Kosukoğlu (Ed.), Izmir and the Region: Hundred Years of Social, Economic and Cultural Change, 1850 - 1950 (Conference proceedings) (pp. 95-106). Hrant Dink Foundation [in Turkish].
• Ordoulidis, N. (2021). 1911: Estudiantina Oriental on the Road. "Musiques grecques en représentation (xixe et xxe siècles)", Bulletin de correspondance hellénique moderne et contemporain(5): https://journals.openedition.org/bchmc/949.
• Ordoulidis, N. (2021). The Peregrinations of a Princess... Urban Popular Music of the 20th Century in the Network of Eastern Europe, the Balkans and the South-Eastern Mediterranean. Recorded Sound Collections Journal, 2, pp. 249–282.
• Ordoulidis, N. (2021). Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular  Music. Bloomsbury Academic.
• Ordoulidis, N. (2021). Athens: Tatavliano / New York: Beykos. In K. Chardas, G. Sakalieros, & I. Foulias (Ed.), Proceedings of the 11th Conference of the Hellenic Musicological Society (pp. 418–423). Hellenic Musicological Society [in Greek].
• Ordoulidis, N. (2020). The Princess' Wandering. In G. Kokkonis, & S. Koziou (Ed.), Proceedings of the 7th panhellenic conference (18-20 October 2019) (pp. 185-203). Centre for Historical and Folklore Research "O Apollon" Karditsa - University of Ioannina, Department of Music Studies [in Greek].
• Ordoulidis, N. (2019). Approbations and Rejections in the Arrangements of the Rebetiko Songs of the Album “Six Popular Pictures”. Round table: High-Status and Popular Intertexts in Modern Greek Music. Case study: ‘Six popular pictures’ by Manos Hadjidakis. In Chardas, Vouvaris, Kardamis, Sakallieros & Foulias (Ed.), Effects and Interactions (pp. 668-678). Thessaloniki: The Hellenic Musicological Society [in Greek].
• Zoubouli, M., & Ordoulidis, N. (2018). ‘For the Craftsman, Borrowing is one of their Tools of Originality’ (K. Palamas). The Rebetes’ Trial (pp. 45-51). Athens: Department of Popular and Traditional Music and Law School of Athens [in Greek].
• Ordoulidis, N. (2015). Urban Popular Music in the Greek Education System: Some Problematic Issues. In Foulias, Vouvaris, Kitsios, & Hardas (Ed.), Music and Musicology. Present and Future (pp. 204-209). Athens: The Hellenic Musicological Society [in Greek].
• Ordoulidis, N. (2014). Article of Vasilis Tsitsanis. Grove Music/Oxford Music Online.
• Ordoulidis, N. (2011). The Greek Popular Modes. British Postgraduate Musicology, 11. http://britishpostgraduatemusicology.org/bpm11/ordoulidis_the_greek_popular_modes.pdf

Monographs and Book Chapters (not peer reviewed)

• Ordoulidis, N. (2020). The Missing Pieces to the Puzzle that is Thessaloniki: The Alberto Nar Recordings Archive. In L. Nar (Ed.), Remember: Holocaust Survivors Sing Sephardic Songs (pp. 8-24). Ianos.
• Ordoulidis, N. (2018). The Eastern Piano Project - The Rebetiko Era. Pringipessa [in Greek].
• Ordoulidis, N. (2018). Reaffirming the popular. In E. Ntourou, & P. Frountzos, Vassilis Tsitsanis, Tis gerakinas gios (pp. 6-11). Hot Doc [in Greek].
• Ordoulidis, N. (2017). Cloudy Sunday and the Akathist Hymn – A Mirroring or a Reflection? Athens: Fagottobooks [in Greek].
• Ordoulidis, N. (2014). The Recording Career of Vasílis Tsitsánis (1936-1983). An Analysis of his Music and the Problems of Research into Greek Popular Music. Athens: Ianos [PhD thesis translation in Greek].

Conference Papers (sample, peer reviewed)

• Kucinskas, D., Zappala, P., Skalska, K., Kokkonis, G., & Ordoulidis, N. (2022). Ethnic Piano Rolls. Round table. Athens (August 22-26): International Musicological Society, 21st Quinquennial Congress.
• Ordoulidis, N. (2022). Cosmopolitanism in Kounadis Archive Virtual Museum. Paper presented at the 56th annual conference of the Association for Recorded Sound Collections (May 17-21). Online (Detroit, Michigan).
• Ordoulidis, N. (2021). Musical Palimpsests: Greek-Jewish Historical Discography. Conference Proceedings: 13th Hellenic Musicological Society Conference. Hellenic Musicological Society Conference.
• Ordoulidis, N. (2018). The Maestro's Riddle - The Pseudonyms “Moraitis” and “Georgiadis” of Spyros Peristeris. Coference title: The other self: Cryptonym, Identity and Distinctness in Artistic Creation. Music Village, Agios Lavrentios Pilio (August 17-18).
• Ordoulidis, N. (2018). Deconstructing Dipoles: the Term “Minor” in Smyrna. Fifth International Conference on Analytical Approaches to World Music (AAWM 2018) & Eighth Folk Music Analysis Workshop (FMA 2018). Thessaloniki, Greece (June 26–29).
• Ordoulidis, N. (2018). The Eastern Piano: an Introduction and Certain Special Cases in Point. The 12th Symposium of the ICTM Study Group Mediterranean Music Studies Music and Sound at the Mediterranean Crossroads. Morocco (19–24 June).
• Ordoulidis, N. (2017). Cosmopolitan Music by Cosmopolitan Musicians: The Case of Spyros Peristeris, Leading Figure of the Rebetiko. Conference Paper, Creating music across cultures in the 21st century, The Centre for Advanced Studies in Music (25-27/5). Istanbul Technical University.
• Ordoulidis, N. (2015). Every Port is a Sorrow: The Bounds Between Sea and Misery in Greek Songs. Paper: International Conference: Thalassic Imaginaries: The Mediterranean Sea in Language, Art and Other Forms of Representation (23-24/1). Mediterranean Institute, University of Malta.
• Ordoulidis, N. (2012). The Minore Dhromos [Popular Mode] in the Songs of Vasilis Tsitsanis. Paper: 1st Conference about the Life and Times of Vassilis Tsitsanis (9/12). The Institute of Rebetology, London, School of Oriental and African Studies, London.

Invited Talks and Seminars (sample)

• Ordoulidis, N. (2022). Popular music and politics in Greece in the 20th century. Conference: El 22. La forma- concurso. The crystallisation of flamenco as a genre among world music (19-23 September). International University of Andalusia, XXII Flamenco Biennial, University of Seville.
• Ordoulidis, N. (2021). Discographic fake news –#Not. Department of Music Studies of the University of Ioannina in Greece.
• Ordoulidis, N. (2021). Eastwards heterotopias of the piano. Department of Music of the University College Cork in Ireland.
• Ordoulidis, N. (2021). The Peregrinations of a Princess: Urban Popular Music of the 20th Century in the Network of Eastern Europe, the Balkans and the South-Eastern Mediterranean. The Promiscuous World of Jewish Music Series, California.
• Ordoulidis, N. (2021). Musical Palimpsests: Jewish-Greek Historical Discography from the Kounadis Archive. The Promiscuous World of Jewish Music Series, California.
• Ordoulidis, N. (2018). Deconstructing Dipoles: The Ecumene of the Greek Estudiantinas. Seminar at the Department of Social Anthropology, School of Social Sciences, Panteio University (9 May).
• Ordoulidis, N. (2018). Eastward Heterotopias of the Piano. Seminar and Recital. Ionian Academy, Department of Music Studies, Ionian University, Corfu.
• Ordoulidis, N., Kokkonis, G., & Pitsanis, A. (2017). Eastward Heterotopias of the Piano. A three-day event (workshop, seminar, recital). State Conservatoire of Thessaloniki.
• Ordoulidis, N. (2016). ‘For Nets are not Without Cause Spread for Birds’ (Proverbs of Solomon 1:17): The Urban Chanting Practices under the Prism of Musical Networks; Issues of Style, Form and Aesthetic. Seminar at the Workshop of Anthropology. Technological Educational Institute of Epirus, School of Popular and Traditional Music.
• Ordoulidis, N. (2014). The Eastern Piano. Seminar. University of Macedonia, Department of Music Science and Art.
• Ordoulidis, N. (2013). Popular Musicology in Greece: The Case of Rembétiko and Laikó Musical Styles. Lecture. The Athens Centre.
• Ordoulidis, N. (2013). The Role of Vasilis Tsitsanis in the Development of the Greek Urban Song. Seminar. Greek-French School 'Eugène Delacroix'.